"A Different Kind of Force" wins 2019 Peabody Award for News

“A Different Kind of Force”, the documentary I spent most of last year editing, has won a Peabody Award. It’s a real honor to share this award with Ed Ou and Kitra Cahana, two of the most conscientious filmmakers I’ve had the pleasure to work with.

I’ve been sitting on this news for the last two weeks with a sense of dread. It’s roughly a year old, and in that time my feelings and perspective, particularly on the police’s role in society, have shifted quite dramatically. I was ready to disregard the documentary as an embarrassing byproduct of my ignorance and privilege.

Having watched it again last night for the first time in months, I am relieved it isn’t quite that. If anything, it’s a tightly organized pile of puzzle pieces, a series of societal problems I wasn’t quite sure fit together. Now, it’s so incredibly, glaringly obvious they do that I’m unsure how I missed it.

The police officers in this documentary, as well-meaning and earnest as they are, should not be doing this work. The societal need is in qualified mental health workers that do not carry weapons. It is in mental health facilities that don’t release their patients as soon as they’re stabilized. It is in Medicare-For-All, so that everyone in need can receive the long-term treatment necessary for chronic mental health problems. We need to reallocate the resources we put into training cops back into the community, thereby simultaneously reducing the scope of their job description and their community’s reliance on them in the first place.

You can’t train officers to both be active assessors of dangerous risk and also empathetic caseworkers. Those impulses are fundamentally at odds with one another. In what remains the most telling part of the documentary for me, Tre is asked to reconcile the fact that he’s called to save citizens while holstering a weapon that can kill them. Understandably, he gets tripped up. As a cop, the majority of his training is to recognize and neutralize threats.  His mental health speciality, the CIT training, is a thin veneer, and it’s incredibly dangerous to mistake it for the substance of policing. The substance is a protective, antagonistic fraternity that upholds the culture of white supremacy while resisting scrutiny and accountability, a system that directly targeted Ed as a member of the press a week ago in Minneapolis, leaving him with literal scars.

This is the bedrock, I believe, of “Defund the Police.” We need to completely rethink societal services, what purpose they serve, and most importantly, WHO they serve and don’t serve. To pretend that reform is an achievable goal, that all we need is “more training” and “body cameras”, is a disingenuous and dangerous platitude.

So, if you decide to watch the documentary, please keep in mind this sobering afterward. Hopefully, the film can be a tool in building a more equitable world that serves all of its citizens.


Jonathan Ade

Raised in suburban Washington, DC, Jonathan Ade began making movies at eight years old. Since that time, he developed his passion for creating uniquely-held, cinematic narratives.

He earned his BFA in Film Production at Emerson College, where his Senior Thesis film, “Through and Away”, won the Jury Prize for Best Film at the National Film Festival for Talented Youth. Additionally, in the field of comedy, Jonathan was the co-creator of the hit mashup trailer "Brokeback to the Future", an early blueprint for the now-endemic viral video, now on view at the Museum of the Moving Image in Queens.

From 2010-2013, Jonathan wrote and directed a series of short films entitled "Meditations", in which each short focuses on an introspective moment of everyday life. The series has received numerous laurels from dozens of film festivals across the country.

His latest film, "Lay in Wait", starring Elizabeth Olin ("Killing Season", Academy Award-winning "God of Love") and Michael Stahl-David ("Cloverfield", "Show Me A Hero") was completed in November of 2014 and began its festival run in April 2015 with the 24th Annual Arizona International Film Festival, where it won the Special Jury Prize for Best Cinematography. It went on to the Little Rock Film FestivalMammoth Lakes Film FestivalNickel Independent Film FestivalBlue Whiskey Independent Film FestivalHollyshorts Film Festival, Emerson LA Film Festival, Full Bloom Film FestivalFt. Lauderdale International Film Festival, East Lansing Film FestivalLaguna Film Festival, North Wales Film Festival and Queens World Film Festival. The short is Executive Produced by Lucas Neff, star of Raising Hope on Fox. 

In 2014, Jonathan expanded his oeuvre into installation art when he was selected for a long-term artistic residency at Hub-Bub in Spartanburg, South Carolina, where he created site-specific films at the intersection of cinema and traditional installation. That led to a second artistic residency at the Kimmel Harding Nelson Center For The Arts in Nebraska City in March 2015. His third and current residency at Interlochen Academy for the Arts began in January 2016.

http://www.jonokino.com
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"A Different Kind of Force" Nominated for a Peabody Award